{"id":128,"date":"2019-02-14T04:08:39","date_gmt":"2019-02-13T20:08:39","guid":{"rendered":"https:\/\/iaa.nycu.edu.tw\/?page_id=128"},"modified":"2020-10-13T20:05:13","modified_gmt":"2020-10-13T12:05:13","slug":"%e5%8d%9a%e5%a3%ab%e8%ab%96%e6%96%87","status":"publish","type":"page","link":"https:\/\/iaa.nycu.edu.tw\/?page_id=128","title":{"rendered":"\u535a\u58eb\u8ad6\u6587"},"content":{"rendered":"

級別 \/ 組別<\/strong><\/p><\/div><\/div><\/td>

論文名稱<\/strong><\/p><\/div><\/div><\/td>

博士生<\/strong><\/p><\/div><\/div><\/td>

指導教授<\/strong><\/p><\/div><\/div><\/td><\/tr>

112 \/ 設計組<\/p><\/div><\/div><\/td>

從材料經驗建構工藝跨域創新模式<\/p><\/div><\/div><\/td>

林宜鄉<\/p><\/div><\/div><\/td>

劉辰岫<\/p><\/div><\/div><\/td><\/tr>

112 \/ 藝術跨域組<\/p><\/div><\/div><\/td>

後跨域創作：分裂連續體<\/p><\/div><\/div><\/td>

陳宜惠<\/p><\/div><\/div><\/td>

賴雯淑<\/p><\/div><\/div><\/td><\/tr>

110 \/ 工設組<\/p><\/div><\/div><\/td>

實驗性智慧型手機為媒介之3D列印容器設計： 從單子論到黑盒子理論之探討<\/p><\/div><\/div><\/td>

方保羅<\/p><\/div><\/div><\/td>

許峻誠<\/p><\/div><\/div><\/td><\/tr>

110 \/ 視傳組<\/p><\/div><\/div><\/td>

寫實素描能力的系統研究<\/p><\/div><\/div><\/td>

馬曉瑛<\/p><\/div><\/div><\/td>

陳一平<\/p><\/div><\/div><\/td><\/tr>

109 \/ 視傳組<\/p><\/div><\/div><\/td>

新媒體藝術互動裝置之結構分析與批判<\/p><\/div><\/div><\/td>

陳韻如
<\/p><\/div><\/div><\/td>

賴雯淑
<\/p><\/div><\/div><\/td><\/tr>

108 \/ 視傳組<\/p><\/div><\/div><\/td>

被看見的美國人：班尚戰後插畫的藝術連線<\/p><\/div><\/div><\/td>

黃曉微<\/p><\/div><\/div><\/td>

賴雯淑<\/p><\/div><\/div><\/td><\/tr>

108 \/ 工設組<\/p><\/div><\/div><\/td>

生活型態意象看板圖片資料庫之建置<\/p><\/div><\/div><\/td>

劉芃均<\/p><\/div><\/div><\/td>

莊明振、許峻誠<\/p><\/div><\/div><\/td><\/tr><\/tbody><\/table><\/div><\/div>\n\n

級別 \/ 組別<\/strong><\/p><\/div><\/div><\/td>

論文名稱<\/strong><\/p><\/div><\/div><\/td>

博士生<\/strong><\/p><\/div><\/div><\/td>

指導教授<\/strong><\/p><\/div><\/div><\/td><\/tr>

108 \/ 視傳組<\/p><\/div><\/div><\/td>

20世紀美國Vogue雜誌中女性胸罩廣告的視覺分析<\/p><\/div><\/div><\/td>

楊琇如<\/p><\/div><\/div><\/td>

陳一平、鄭靜宜<\/p><\/div><\/div><\/td><\/tr>

108 \/ 視傳組<\/p><\/div><\/div><\/td>

動畫角色的臉部造型特徵與其傳達之主觀印象的關聯性研究<\/p><\/div><\/div><\/td>

陳冠霖<\/p><\/div><\/div><\/td>

謝啓民、陳一平<\/p><\/div><\/div><\/td><\/tr>

106 \/ 工設組<\/p><\/div><\/div><\/td>

多元利益關係者價值導向的服務設計模式<\/p><\/div><\/div><\/td>

蔡佩真<\/p><\/div><\/div><\/td>

莊明振、鄧怡莘<\/p><\/div><\/div><\/td><\/tr>

106 \/ 工設組<\/p><\/div><\/div><\/td>

含氧微氣泡清潔口腔細菌之裝置應用設計<\/p><\/div><\/div><\/td>

林佩如<\/p><\/div><\/div><\/td>

莊明振<\/p><\/div><\/div><\/td><\/tr>

106 \/ 工設組<\/p><\/div><\/div><\/td>

手機資訊安全之使用者研究<\/p><\/div><\/div><\/td>

姚美玲<\/p><\/div><\/div><\/td>

莊明振、許峻誠<\/p><\/div><\/div><\/td><\/tr>

106 \/ 工設組<\/p><\/div><\/div><\/td>

應用合作式衍生設計方法於產品造型發展<\/p><\/div><\/div><\/td>

李林兼<\/p><\/div><\/div><\/td>

林銘漢<\/p><\/div><\/div><\/td><\/tr>

105 \/ 工設組<\/p><\/div><\/div><\/td>

運用眼球軌跡追蹤系統分析感性判定與視覺行為關係<\/p><\/div><\/div><\/td>

范士誠<\/p><\/div><\/div><\/td>

莊明振、許峻誠<\/p><\/div><\/div><\/td><\/tr>

105 \/ 視傳組<\/p><\/div><\/div><\/td>

邁向鬼魂誌：當代藝術及現代性文化中的外在主體敘事部署<\/p><\/div><\/div><\/td>

林信男<\/p><\/div><\/div><\/td>

陳一平<\/p><\/div><\/div><\/td><\/tr>

105 \/ 視傳組<\/p><\/div><\/div><\/td>

電玩遊戲螢幕視角空間之設計研究<\/p><\/div><\/div><\/td>

張宇晴<\/p><\/div><\/div><\/td>

謝啓民<\/p><\/div><\/div><\/td><\/tr>

105 \/ 視傳組<\/p><\/div><\/div><\/td>

塔可夫斯基的身體影像與具身化經驗<\/p><\/div><\/div><\/td>

吳欣怡<\/p><\/div><\/div><\/td>

賴雯淑<\/p><\/div><\/div><\/td><\/tr>

105 \/ 視傳組<\/p><\/div><\/div><\/td>

遊戲記分系統設計研究<\/p><\/div><\/div><\/td>

李俊逸<\/p><\/div><\/div><\/td>

謝啓民、陳一平<\/p><\/div><\/div><\/td><\/tr>

105 \/ 視傳組<\/p><\/div><\/div><\/td>

矇閉中的看見——從詭異基礎命題延伸至攝影影像的思考<\/p><\/div><\/div><\/td>

王怡婷<\/p><\/div><\/div><\/td>

賴雯淑<\/p><\/div><\/div><\/td><\/tr>

104 \/ 視傳組<\/p><\/div><\/div><\/td>

臉孔特徵對漫畫人物身分辨識與個性塑造之影響－以日式少年漫畫為例<\/p><\/div><\/div><\/td>

陳明鴻<\/p><\/div><\/div><\/td>

陳一平<\/p><\/div><\/div><\/td><\/tr>

104 \/ 視傳組<\/p><\/div><\/div><\/td>

請跟著我的腳步聲走 ─論珍奈‧卡蒂芙行走作品的聲音、行走與風景<\/p><\/div><\/div><\/td>

李悅端<\/p><\/div><\/div><\/td>

賴雯淑<\/p><\/div><\/div><\/td><\/tr>

103 \/ 視傳組<\/p><\/div><\/div><\/td>

3D 影像之立體感與舒適度探討<\/p><\/div><\/div><\/td>

林智祥<\/p><\/div><\/div><\/td>

陳一平<\/p><\/div><\/div><\/td><\/tr>

103 \/ 工設組<\/p><\/div><\/div><\/td>

動作語意式產品之延滯性情感研究<\/p><\/div><\/div><\/td>

鄭仕弘<\/p><\/div><\/div><\/td>

林銘煌<\/p><\/div><\/div><\/td><\/tr>

102 \/ 工設組<\/p><\/div><\/div><\/td>

電子商務環境中的說服設計<\/p><\/div><\/div><\/td>

朱希亮<\/p><\/div><\/div><\/td>

莊明振、鄧怡莘<\/p><\/div><\/div><\/td><\/tr>

101 \/ 工設組<\/p><\/div><\/div><\/td>

社會互動設計之整合型研究取向<\/p><\/div><\/div><\/td>

黃可薰<\/p><\/div><\/div><\/td>

莊明振、鄧怡莘<\/p><\/div><\/div><\/td><\/tr>

101 \/ 工設組<\/p><\/div><\/div><\/td>

為音樂初學者設計之單旋律色彩音樂記譜系統<\/p><\/div><\/div><\/td>

郭怡婷<\/p><\/div><\/div><\/td>

莊明振<\/p><\/div><\/div><\/td><\/tr>

101 \/ 工設組<\/p><\/div><\/div><\/td>

現成物應用於產品設計的發展脈絡、手法與認知<\/p><\/div><\/div><\/td>

王靜儀<\/p><\/div><\/div><\/td>

林銘煌<\/p><\/div><\/div><\/td><\/tr>

101 \/ 工設組<\/p><\/div><\/div><\/td>

應用情感喚醒原理之感性設計模式建構<\/p><\/div><\/div><\/td>

鄧建國<\/p><\/div><\/div><\/td>

莊明振<\/p><\/div><\/div><\/td><\/tr>

101 \/ 視傳組<\/p><\/div><\/div><\/td>

探討開放性資料庫藝術作品的敘事與動態<\/p><\/div><\/div><\/td>

許雯婷<\/p><\/div><\/div><\/td>

賴雯淑<\/p><\/div><\/div><\/td><\/tr>

101 \/ 視傳組<\/p><\/div><\/div><\/td>

體感式電玩於醫療復健成效之開發研究<\/p><\/div><\/div><\/td>

翁漢騰<\/p><\/div><\/div><\/td>

張世宗、莊明振<\/p><\/div><\/div><\/td><\/tr>

101 \/ 視傳組<\/p><\/div><\/div><\/td>

星叢‧複線‧集合：網路前衛藝術美學語言<\/p><\/div><\/div><\/td>

林欣怡<\/p><\/div><\/div><\/td>

賴雯淑<\/p><\/div><\/div><\/td><\/tr>

100 \/ 工設組<\/p><\/div><\/div><\/td>

男士西裝外套風格意象與西裝布料意象質感之研究<\/p><\/div><\/div><\/td>

洪淑惠<\/p><\/div><\/div><\/td>

莊明振<\/p><\/div><\/div><\/td><\/tr>

99 \/ 工設組<\/p><\/div><\/div><\/td>

台灣新媒體藝術教育與創作發展間之相互影響<\/p><\/div><\/div><\/td>

駱麗真<\/p><\/div><\/div><\/td>

莊明振<\/p><\/div><\/div><\/td><\/tr>

99 \/ 視傳組<\/p><\/div><\/div><\/td>

當代數位互動藝術之特質<\/p><\/div><\/div><\/td>

曾鈺涓<\/p><\/div><\/div><\/td>

賴雯淑、莊明振<\/p><\/div><\/div><\/td><\/tr>

99 \/ 視傳組<\/p><\/div><\/div><\/td>

中文色彩詞彙及語言色彩類別空間<\/p><\/div><\/div><\/td>

謝翠如<\/p><\/div><\/div><\/td>

陳一平<\/p><\/div><\/div><\/td><\/tr>

98 \/ 工設組<\/p><\/div><\/div><\/td>

美感情緒與網頁視覺信息的關係研究<\/p><\/div><\/div><\/td>

蔡子瑋<\/p><\/div><\/div><\/td>

莊明振、王鼎銘<\/p><\/div><\/div><\/td><\/tr>

97 \/ 工設組<\/p><\/div><\/div><\/td>

應用品質工程模式於產品感性設計<\/p><\/div><\/div><\/td>

陳俊智<\/p><\/div><\/div><\/td>

莊明振<\/p><\/div><\/div><\/td><\/tr>

96 \/ 工設組<\/p><\/div><\/div><\/td>

兒童與電腦間之社會互動-探討互動性、語音、與表情符號的影響<\/p><\/div><\/div><\/td>

董芳武<\/p><\/div><\/div><\/td>

鄧怡莘<\/p><\/div><\/div><\/td><\/tr><\/tbody><\/table><\/div><\/div>\n\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

 <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":74,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-128","page","type-page","status-publish","hentry"],"yoast_head":"\n\u535a\u58eb\u8ad6\u6587 - \u570b\u7acb\u967d\u660e\u4ea4\u901a\u5927\u5b78 \u61c9\u7528\u85dd\u8853\u7814\u7a76\u6240<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iaa.nycu.edu.tw\/?page_id=128\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u535a\u58eb\u8ad6\u6587 - \u570b\u7acb\u967d\u660e\u4ea4\u901a\u5927\u5b78 \u61c9\u7528\u85dd\u8853\u7814\u7a76\u6240\" \/>\n<meta property=\"og:description\" content=\" \" \/>\n<meta property=\"og:url\" content=\"https:\/\/iaa.nycu.edu.tw\/?page_id=128\" \/>\n<meta property=\"og:site_name\" content=\"\u570b\u7acb\u967d\u660e\u4ea4\u901a\u5927\u5b78 \u61c9\u7528\u85dd\u8853\u7814\u7a76\u6240\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/nctuIAA\" \/>\n<meta property=\"article:modified_time\" content=\"2020-10-13T12:05:13+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/iaa.nycu.edu.tw\/?page_id=128\",\"url\":\"https:\/\/iaa.nycu.edu.tw\/?page_id=128\",\"name\":\"\u535a\u58eb\u8ad6\u6587 - 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