Save as : Sound, Image, Objec t | IAA Online Exhibition - Institute of Applied Arts, National Chiao Tung University

2021.6.10— 8.31
IAA Online Exhibition

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“Save As” instruction is commonly used in many applications to capture, record, and maintain user data and operation traces in a specified format for “retrieval,” “memory,” and “witness.” The user operations in the program will go through a set of procedures: frame-format-export. Comparing the computational instruction to art production, the artist is pretty much the software; the work is a series of framing and storing of reality, internal transcoding, and archiving of user’s artistic operation from the start of the final externalization; the exhibition is the platform where these sensory archives meet its audiences. Living in a time of file overload, we are no longer short of production of files, but perhaps what is worth notice is how to rediscover nuances of production of senses from the view of production of files. By revisiting how perceptions are configured, transferred, exported, and encoded, we could thus be able to reconceptualize how sensations are archived and how emotions are externalized.

As with the file format, the artist’s determination of format also shapes audiences’ way of participation. This exhibition, through three perceptual paths: “sound,” “image,” and “object,” is to probe the movements of the artists’ internal transcoding process and filing paths, and how artists export emotions into perceptible pieces.

策展團隊

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展覽指導．網站製作｜林欣怡副教授
行政總籌｜湯景光展覽總監、鄒玟珊活動場運

總召｜李庭儒
副召｜梁佑謙
視覺組｜劉培安、張慈恩、吳玫暄、傅昀畇
場佈組｜勞泓理、王竣恆、顏瑋辰、楊馥嘉、沈君怡、巫佳璇
公關組｜蔡沛軒、張莉崴、許巧妮、梁意琳
攝影組｜沈昕皜、林玟君、蘇楷文
活動組｜粘力元、呂紹文、許雅貞、張勝傑、呂彥青
總務組｜劉群禹

參展者

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賴雯淑．林欣怡．劉培安．梁佑謙．粘力元．勞泓理．蔡沛軒．林玟君．王竣恆．沈昕皜．張莉崴．巫佳璇．傅昀畇．梁意琳．劉群禹．沈君怡．呂紹文．顏瑋辰．張慈恩．吳玫暄｜許雅貞．蘇楷文．楊馥嘉．李庭儒．張勝傑